Audition Repertoire Requirements for 2025-2026 Are Now Available!
Merit’s Conservatory music audition will assess your current skills, musicianship, sight-reading ability, etc.
Students should prepare repertoire for the highest level they feel comfortable preparing for. Students interested in multiple programs will need to audition for each program.
Questions? Contact Autumn Selover at aselover@meritmusic.org.
Learn more about the Conservatory program →
Read about the Conservatory audition process →
↓ Find your instrument and click the “+” to view the audition requirements. Requirements are organized by ensemble level.
Orchestra
CHAMBER ORCHESTRA – The Conservatory String Orchestra is an intermediate level ensemble. It is comprised of up to 50 violin, viola, cello, and bass students who are generally in 5th – 10th grades. Programming consists of modern and traditional string orchestra repertoire.
MERIT PHILHARMONIC – The Merit Philharmonic is Merit’s top orchestral experience for talented young musicians. It is comprised of up to 65 string, wind, brass, and percussion students who are generally in 9th – 12th grades. Programming consists of modern and traditional orchestral repertoire. Woodwind, Brass, and Percussion students interested in auditioning for the Merit Philharmonic must first be accepted into the Wind Symphony.
Violin
MERIT CHAMBER ORCHESTRA
Repertoire: 2 contrasting solos at the same level of difficulty as A. Vivaldi’s Concerto in A Minor, First Movement or higher. (Memorization is strongly encouraged)
Orchestra Excerpts: Click here for file.
Scales: metronome ♩=60 (Separate and slurred up to 4 per bow) Students must play 1 major and 1 melodic minor scale and arpeggio. One of these must be a 3 octave scale. (Scales and arpeggios must be memorized)
Sight-reading: (provided at audition)
MERIT PHILHARMONIC
Repertoire: 2 contrasting solos at the same level of difficulty as J.S. Bach’s Violin Concerto in A Minor, First Movement or higher. (Memorization is strongly encouraged)
Orchestra Excerpts: Click here for file.
Scales: metronome ♩=60 (Separate and slurred up to 8 per bow; may be asked to demonstrate martelé, stacatto, or spicatto stroke) Students must play one 3 octave major and one 3 octave melodic minor scale and arpeggio. (Scales and arpeggios must be memorized)
Sight-reading: (provided at audition)
Viola
MERIT CHAMBER ORCHESTRA
Repertoire: 2 contrasting solos at the same level of difficulty as A. Vivaldi’s Concerto in D Minor, First Movement or higher. (Memorization is strongly encouraged)
Orchestra Excerpts: Click here for file.
Scales: metronome ♩=60 (Separate and slurred up to 4 per bow) Students must play 1 major and 1 melodic minor scale and arpeggio. One of these must be a 3 octave scale. (Scales and arpeggios must be memorized)
Sight-reading: (provided at audition)
MERIT PHILHARMONIC
Repertoire: 2 contrasting solos at the same level of difficulty as J.C. Bach’s Concerto in C Minor, First Movement or higher. (Memorization is strongly encouraged)
Orchestra Excerpts: Click here for file.
Scales: metronome ♩=60 (Separate and slurred up to 8 per bow; may be asked to demonstrate martelé, stacatto, or spicatto stroke) Students must play one 3 octave major and one 3 octave melodic minor scale and arpeggio. (Scales and arpeggios must be memorized)
Sight-reading: (provided at audition)
Cello
MERIT CHAMBER ORCHESTRA
Repertoire: 2 contrasting solos at the same level of difficulty as Chanson Trieste by Tchaikovsky. (Memorization is strongly encouraged)
Orchestra Excerpts: Click here for file.
Scales: metronome ♩=60 (Separate and slurred up to 4 per bow) Students must play 1 major and 1 melodic minor scale and arpeggio. One of these must be a 3 octave scale. (Scales and arpeggios must be memorized)
Sight-reading: (provided at audition)
MERIT PHILHARMONIC
Repertoire: 2 contrasting solos at the same level of difficulty as Rondo from J.B. Breval’s Cello Concerto No. 2 in D Major or higher. (Memorization is strongly encouraged)
Orchestra Excerpts: Click here for file.
Scales: metronome ♩=60 (Separate and slurred up to 8 per bow; may be asked to demonstrate martelé, stacatto, or spicatto stroke) Students must play one 3 octave major and one 3 octave melodic minor scale and arpeggio. (Scales and arpeggios must be memorized)
Sight-reading: (provided at audition)
Must be able to fluidly sight read a melodic line in tenor clef
Double Bass
MERIT STRING ORCHESTRA
Repertoire: 2 contrasting solo pieces or etudes of the student’s choice. (Memorization is strongly encouraged)
Orchestra Excerpts: Click here for file.
Scales: metronome ♩=60 (Separate and slurred up to 4 per bow) Students must play 1 major and 1 melodic minor scale and arpeggio. (Scales and arpeggios must be memorized)
Sight-reading: (provided at audition)
MERIT PHILHARMONIC
Repertoire: 2 contrasting solo pieces or etudes of the student’s choice. (Memorization is strongly encouraged)
Orchestra Excerpts: Click here for file.
Scales: metronome ♩=60 (Separate and slurred up to 8 per bow; may be asked to demonstrate martelé, stacatto, or spicatto stroke). Students must play 1 major and 1 melodic minor scale and arpeggio. (Scales and arpeggios must be memorized)
Sight-reading: (provided at audition)
Band
CONCERT BAND – The Concert Band is the entry-level band for the Conservatory. It is comprised of up to 80 winds, brass, and percussion students who are generally in 6th – 8th grades.
SYMPHONIC BAND – The Symphonic Band is an advanced wind group. It is comprised of up to 80 wind, brass, and percussion students who are generally in 8th – 10th grades. Programming consists of challenging high-school repertoire.
WIND SYMPHONY – The Wind Symphony is one of Merit’s premier ensembles. The Wind Symphony provides a rigorous experience for talented and motivated young musicians, representing some of the finest wind playing in the country. It is comprised of up to 80 wind, brass, and percussion students who are generally in 10th – 12th grades. Programming consists of modern and traditional repertoire, as well as new commissions. The Wind Symphony rehearses each Saturday, as well as each Tuesday evening. Woodwind, Brass, and Percussion students interested in auditioning for the Merit Philharmonic must first be accepted into the Wind Symphony.
Band Audition Requirements: All band auditions will consist of musical excerpts, scales and/or rudiments, and a sight-reading portion.
Flute
CONCERT BAND
All current Concert Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Funeral March of a Marionette and The Jolly Bird Catcher
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Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also prepare two contrasting excerpts that showcase range and technical skill similar to the provided material.
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Excerpts from March from Symphonic Metamorphosis
Scales: Scales will be selected by the audition panel from the scale sheet provided.
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Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
- Etudes: Melodious and Progressive Studies: Book II, rev. Robert Cavally
Etude #5 – Moderato, Meas. 1-64 (pp.20-21)
Scales: ILMEA Scale Sheet - Merit Philharmonic Etude*: Excerpts from Symphony No. 4 in F Minor, Op. 36
*Wind Symphony students are also eligible to play in the Merit Philharmonic Orchestra. If you are interested in joining Merit Philharmonic, prepare to play the orchestral excerpt along with your Wind Symphony Audition. You must play with the Wind Symphony in order to participate in Merit Philharmonic.
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Oboe
CONCERT BAND
All current Concert Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: #2 Andante and #4 Allegro
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Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also prepare two contrasting excerpts that showcase range and technical skill similar to the provided material.
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Excerpts from March from Symphonic Metamorphosis
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Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
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Etudes:48 Famous Studies, Opus 31, by W. Ferling, rev. Albert Andraud: Etude #26 – Allegro con Brio, Meas. 1-Fine (p. 13)
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Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
- Merit Philharmonic Etude*: Excerpts from Symphony No. 4 in F Minor, Op. 36
*Wind Symphony students are also eligible to play in the Merit Philharmonic Orchestra. If you are interested in joining Merit Philharmonic, prepare to play the orchestral excerpt along with your Wind Symphony Audition. You must play with the Wind Symphony in order to participate in Merit Philharmonic.
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Clarinet
CONCERT BAND
All current Concert Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Andante cantabile and Allegro
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Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Clarinet audition materials are available here. *Students may also prepare two contrasting excerpts that showcase range and technical skill similar to the provided material.
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Excerpts from March from Symphonic Metamorphosis
Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Clarinet audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Bass clarinet audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
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Etudes: 32 Etudes for Clarinet, by C. Rose; Carl Fischer: Etude #26 – Allegro furioso, Meas 1-20 and Etude #15 – Adagio, Meas. 1-12
- Etudes for bass clarinet only: 21 Foundation Studies for Alto and Bass Clarinet, ed. William E. Rhoads: Etude #10 – Allegretto quasi andantino, Meas. 1- Fine (p. 17)
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Scales: ILMEA Scale Sheet
- Sightreading: (provided at audition)
- *For Merit Philharmonic audition only: Excerpts from Symphony No. 4 in F Minor, Op. 36
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Clarinet audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Bass clarinet audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Merit Philharmonic *Wind Symphony students are also eligible to play in the Merit Philharmonic Orchestra. If you are interested in playing with Merit Philharmonic, prepare to play the orchestral excerpt along with your Wind Symphony Audition. You must play with the Wind Symphony in order to participate in Merit Philharmonic.
Bassoon
CONCERT BAND
All current Concert Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Technical Etudes #1 and Petite Waltz
Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
-
Etudes: Excerpts from March from Symphonic Metamorphosis
Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
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Etudes: Practical Method for Bassoon, by Julius Weissenborn, ad. W.F. Ambrosio: Etude #13 – Allegro vivace, Meas. 1-Fine (p. 87)
Scales: ILMEA Scale Sheet
- Sightreading: (provided at audition)
- *For Merit Philharmonic audition only: Excerpts from Symphony No. 4 in F Minor, Op. 36
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
*Wind Symphony students are also eligible to play in the Merit Philharmonic Orchestra. If you are interested in playing with Merit Philharmonic, prepare to play the orchestral excerpt along with your Wind Symphony Audition. You must play with the Wind Symphony in order to participate in Merit Philharmonic.
Saxophone
CONCERT BAND
All current Concert Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Etude #14 – Moderato and Etude #5 – Lacrimoso
Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Alto saxophone audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
-
Etudes: Excerpts from March from Symphonic Metamorphosis
Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Alto saxophone audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Tenor saxophone audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Baritone saxophone audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
- Etudes: 27 Virtuoso Studies for Saxophone or Oboe, by L. Bassi, trans. Gerardo Iasilli: Etude #7 – Largo sostenuto, Meas. 1-18 and Etude #16 – Marziale, Meas. 1-16
- Scales: ILMEA Scale Sheet
- Sightreading: (provided at audition)
- Merit Philharmonic Etude*: Excerpts from Symphony No. 4 in F Minor, Op. 36
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Horn
CONCERT BAND
All current Concert Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: #5 Allegro and Moderato e dolente
Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
-
Etudes: Excerpts from March from Symphonic Metamorphosis
Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
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Etudes: 335 Melodius, Progressive and Technical Studies for French Horn, Book 1, by Max Pottag and Albert Andraud: Etude #71 – Allegro Moderato, Meas. 1-26
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Scales: ILMEA Scale Sheet
- Sightreading: (provided at audition)
- For Merit Philharmonic audition only: Excerpts from Symphony No. 4 in F Minor, Op. 36
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
*Wind Symphony students are also eligible to play in the Merit Philharmonic Orchestra. If you are interested in playing with Merit Philharmonic, prepare to play the orchestral excerpt along with your Wind Symphony Audition. You must play with the Wind Symphony in order to participate in Merit Philharmonic.
Trumpet
CONCERT BAND
All current Concert Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Etude #68 and Etude #3 – Allegretto cantabile
Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
-
Etudes: Excerpts from March from Symphonic Metamorphosis
Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
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Etudes: Complete Conservatory Method for Trumpet, New Authentic Edition, by J.B. Arban, ed. Hooten and Marotta: Etude #8 – Allegro Moderato, Meas. 1-31 (p. 292)
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Scales: ILMEA Scale Sheet
- Sightreading: (provided at audition)
- *For Merit Philharmonic audition only: Excerpts from Symphony No. 4 in F Minor, Op. 36
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Merit Philharmonic *Wind Symphony students are also eligible to play in the Merit Philharmonic Orchestra. If you are interested in playing with Merit Philharmonic, prepare to play the orchestral excerpt along with your Wind Symphony Audition. You must play with the Wind Symphony in order to participate in Merit Philharmonic.
Trombone
CONCERT BAND
All current Concert Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Etude #16 – Andante and Etude #25 – Marcato
Scales: Scales will be selected by the audition panel from the scale sheet provided.
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
-
Etudes: Excerpts from March from Symphonic Metamorphosis
- Scales: Scales will be selected by the audition panel from the scale sheet provided
- Sightreading: (provided at audition)
Trombone audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Bass trombone audition materials available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
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Etudes: Selected Studies for Trombone, by H. Voxman; Etude in A Minor – Allegretto by Vobaron, Meas. 1-Fine (p 21)
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Scales: ILMEA Scale Sheet
- Sightreading: (provided at audition)
- *For Merit Philharmonic audition only:
- Trombone: Excerpts from Symphony No. 4 in F Minor, Op. 36
- Bass Trombone: Excerpts from Symphony No. 4 in F Minor, Op. 36
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Trombone audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Bass trombone audition materials available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Merit Philharmonic *Wind Symphony students are also eligible to play in the Merit Philharmonic Orchestra. If you are interested in playing with Merit Philharmonic, prepare to play the orchestral excerpt along with your Wind Symphony Audition. You must play with the Wind Symphony in order to participate in Merit Philharmonic.
Bass Trombone
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Excerpts from March from Symphonic Metamorphosis
Scales: Scales will be selected by the audition panel from the scale sheet provided
- Sightreading: (provided at audition)
Bass trombone audition materials available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
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Etudes: Concert Etudes for Tuba (or Bass Trombone), David Uber; Etude #13- Allegretto grazioso, Meas. 1-40, (p.17)
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Scales: ILMEA Scale Sheet
- Sightreading: (provided at audition)
- *For Merit Philharmonic audition only: Excerpts from Symphony No. 4 in F Minor, Op. 36
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Bass trombone audition materials available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Merit Philharmonic *Wind Symphony students are also eligible to play in the Merit Philharmonic Orchestra. If you are interested in playing with Merit Philharmonic, prepare to play the orchestral excerpt along with your Wind Symphony Audition. You must play with the Wind Symphony in order to participate in Merit Philharmonic.
Euphonium
CONCERT BAND
All current Concert Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Tyrell Etude No. 5 and Concone Etude No. 3
Scales: Scales will be selected by the audition panel from the scale sheet provided
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
-
Etudes: Excerpts from March from Symphonic Metamorphosis
Scales: Scales will be selected by the audition panel from the scale sheet provided
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
- Required Etudes: Method for Trombone and Baritone Bass Clef – New Edition, by J.B. Arban, ed. Alan Raph;
Etude #8 – Allegro Moderato, Meas. 1-31 (p. 292)
- Scales: ILMEA scale sheet (see below)
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Tuba
CONCERT BAND
All current Concert Band students MUST re-audition to keep their spot in this ensemble.
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Etudes: Etude #5 – Andante and Etude #3
Scales: Scales will be selected by the audition panel from the scale sheet provided
- Sightreading: (provided at audition)
Audition materials are available here.*Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
- Required Etudes:
Etudes: Excerpts from March from Symphonic Metamorphosis
Scales: Scales will be selected by the audition panel from the scale sheet provided
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
- Required Etudes:70 Studies for BBb Tuba, Volume 1, by Vladislav Blazhevich; Etude #8 – Veloce, Meas. 1-Fine (pg. 7
- Scales: ILMEA scale sheet
- Sightreading: (provided at audition)
- *For Merit Philharmonic audition only: Excerpts from Symphony No. 4 in F Minor, Op. 36
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Merit Philharmonic *Wind Symphony students are also eligible to play in the Merit Philharmonic Orchestra. If you are interested in playing with Merit Philharmonic, prepare to play the orchestral excerpt along with your Wind Symphony Audition. You must play with the Wind Symphony in order to participate in Merit Philharmonic.
Percussion
CONCERT BAND
All current Concert Band students MUST re-audition to keep their spot in this ensemble.
- Required Etudes:
- Snare Drum: Study #72
- Mallets: Etude #66
- Scales:Scales will be selected by the audition panel from the scale sheet provided
- Rudiments:
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- Buzz Roll 3 ways: forte dynamic only, piano dynamic only, piano to forte then back to piano
- Paradiddle (play as 16th notes, minimum tempo quarter = 90 bpm)
- Flam Tap (slow to fast) (play as 16th notes, minimum fastest tempo quarter = 60 bpm)
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- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
SYMPHONIC BAND
All current Symphonic Band students MUST re-audition to keep their spot in this ensemble.
- Required Etudes:
- Snare Drum Etude: Radetzky March
- Timpani and Mallets Etude: Excerpts from Galilean Moons
- Scales:Scales will be selected by the audition panel from the scale sheet provided
- Rudiments:
- Buzz Roll 3 ways: forte dynamic only, piano dynamic only, piano to forte then back to piano
- Double Stroke Roll 3 ways: forte dynamic only, piano dynamic only. piano to forte then back to piano
- Paradiddle (play as 16th notes, minimum tempo quarter = 90 bpm)
- Flam Tap (slow to fast) (play as 16th notes, minimum fastest tempo quarter = 60 bpm)
- Sightreading: (provided at audition)
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
WIND SYMPHONY
All current Wind Symphony students MUST re-audition to keep their spot in this ensemble. Students who wish to also be considered for the Merit Philharmonic should indicate this on their audition sign up form.
- Required Etudes:
- Snare Drum Etude: Portraits in Rhythm, by Anthony J. Cirone; Etude #4 – Andante grandioso, Meas. 1- 21 (pg. 6)
- Keyboard Percussion: Modern School for Xylophone, Marimba and Vibraphone, by Morris Goldenberg; Etude #5 – Allegro Meas. 1-31 (pg. 64)
- Timpani Etudes: Etudes for Timpani, Vol. 1, by Richard Hochrainer; Etude #3, Meas. 9-22
- Rudiments:
- Buzz Roll 3 ways: forte dynamic only, piano dynamic only. piano to forte then back to piano
- Double Stroke Roll (slow to fast)
- Flam Paradiddle (quarter = 80-120 bpm)
- Double Paradiddle (dotted quarter = 100 bpm)
- Sightreading: (provided at audition)
- *For Merit Philharmonic audition only: Excerpts from Symphony No. 4 in F Minor, Op. 36
Audition materials are available here. *Students may also play a short, prepared piece in lieu of the posted excerpt that showcases similar range and technical skills.
Merit Philharmonic *Wind Symphony students are also eligible to play in the Merit Philharmonic Orchestra. If you are interested in playing with Merit Philharmonic, prepare to play the orchestral excerpt along with your Wind Symphony Audition. You must play with the Wind Symphony in order to participate in Merit Philharmonic.
Jazz (Instrumental)
Students in Merit’s Jazz Division participate in a comprehensive, daylong program consisting of theory/improvisation, big band rehearsal (Concert Jazz Ensemble or Merit Jazz Ensemble), combo rehearsal, weekly recital hour, and electives. Jazz students are generally in 8th – 12th grades and have had several years of playing experience. Students in Merit’s Jazz Division have the opportunity to perform in many venues across the city of Chicago including Chicago’s renowned Jazz Showcase.
CONCERT JAZZ ENSEMBLE – The Concert Jazz Ensemble is an intermediate level ensemble for Conservatory students that have a basic understanding of and experience with jazz performance styles and improvisation. It is comprised of saxophone, trumpet, trombone, and rhythm section (piano, guitar, bass, drum-set, and vibraphone). This ensemble is recommended for students who are generally in 8th to 10th grades and have one to two years of jazz ensemble experience. *Conservatory students not majoring in Jazz Studies may be eligible to participate in this ensemble pending completion of a seating audition in the fall.
MERIT JAZZ ENSEMBLE – As the most advanced big band in the Jazz Studies department, the Merit Jazz Ensemble features the Conservatory’s most experienced Jazz Studies majors as well as upper-level Band students with considerable experience in jazz performance and improvisation. It is comprised of saxophone, trumpet, trombone, and rhythm section (piano, guitar, bass, drum-set, and vibraphone). This ensemble is recommended for students who are generally in 10th to 12th grades and have two to four years of jazz ensemble experience. *Conservatory students not majoring in Jazz Studies may be eligible to participate in this ensemble pending completion.
Jazz Audition Requirements: All jazz auditions will consist of two jazz charts (melody and improvisation) and two scales
Jazz Saxophone
Scales: Blues scales, eighth notes at ♩= 90
Repertoire: Billie’s Bounce and There Will Never Be Another You
Trumpet players should be prepared to play the melody and an improvised solo for each tune.
Alto & Baritone Saxophone audition materials available here.
Tenor Saxophone audition materials available here.
Backing tracks:
Jazz Trumpet
Scales: Blues scales, eighth notes at ♩= 90
Repertoire: Billie’s Bounce and There Will Never Be Another You
Saxophone players should be prepared to play the melody and an improvised solo for each tune.
Audition materials available here.
Backing tracks:
Jazz Trombone
Scales: Blues scales, eighth notes at ♩= 90
Repertoire: Billie’s Bounce and There Will Never Be Another You
Trombonists should be prepared to play the melody and an improvised solo for each tune.
Audition materials available here.
Backing tracks:
Jazz Guitar
Scales: Blues scales, eighth notes at ♩= 90
Repertoire: Billie’s Bounce and There Will Never Be Another You
Guitarists should be prepared to play the melody, comp, and play an improvised solo for each tune.
Audition materials available here.
Backing tracks:
Jazz Piano
Scales: Blues scales, eighth notes at ♩= 90
Repertoire: Billie’s Bounce and There Will Never Be Another You
Pianists should be prepared to play the melody, comp, and play an improvised solo for each tune.
Audition materials available here.
Backing tracks:
Jazz Bass
Scales: Blues scales, eighth notes at ♩= 90
Repertoire: Billie’s Bounce and There Will Never Be Another You
Bassists should be prepared to play the melody, a walking bass line, and improvised solo for each tune.
Audition materials available here.
Backing tracks:
Jazz Drum-set
Scales: Blues scales, eighth notes at ♩= 90
Repertoire: Billie’s Bounce and There Will Never Be Another You
Drummers should be prepared to play time, an improvised solo, and trade fours for each tune.
Backing tracks:
Jazz Vibraphone
Scales: Blues scales, eighth notes at ♩= 90
Repertoire: Billie’s Bounce and There Will Never Be Another You
Vibraphonists should be prepared to play the melody, comp, and play an improvised solo for each tune.
Audition materials available here.
Backing tracks:
Piano
Spots in Merit’s Conservatory piano program are limited and highly sought-after. Students participate in a variety of activities including piano duets, music theory, weekly recital hour, and studio class. Top pianists may also be required to participate in chamber ensembles. Because spots in the Conservatory piano program are so competitive, pianists must re-audition each year.
Pianists interested in auditioning for Merit’s Conservatory can choose to prepare the requirements from either Category A or Category B below. Please select the category that best matches your current skill level. All auditioning pianists should prepare:
- Solo piece(s) from the suggested repertoire list below
- The appropriate scales listed below for your selected category
- Piano duet: this year’s selected duet repertoire will be posted on Merit’s website on Friday, March 28, 2025. You must learn both the primo and secondo parts.
- Sight-reading repertoire will be provided to you during your live audition
Piano
AUDITION REQUIREMENTS
Category A
Scales – Please be prepared to play:
- All major and harmonic minor scales up to 4 sharps or 4 flats
- 4 octaves in parallel motion
- Tempo: quarter note = 132 (the scale should be played in eighth notes/ two notes per metronome click)
Prepare two solo pieces from different historical periods listed below. At least one of the pieces must be from the Baroque or Classical period. Note: Students enrolled in the 2023/2024 Conservatory Piano Department only need to prepare one solo piece.
Baroque – a two-part invention by J. S. Bach (except Invention no.1 in C major) or polyphonic piece of similar difficulty.
Classical – a fast movement from a sonata by Haydn, Mozart or Beethoven similar to the level of the sonatas listed below:
- Beethoven- Sonata in G major, Op. 49 No 2, mov 1
- Haydn – Sonata in C major, Hob. XVI:35, mov 1 or 3
- Mozart – Sonata in C major, K. 545, mov 1
Romantic – a composition from the list below or another piece of similar level.
- Chopin – Mazurka in A minor, Op.67 no.4
- Grieg – from Lyrics Pieces: Elegie Op.38, or Butterfly from Op. 43
- Tchaikovsky – March or April from The Seasons
20th/21st century – a composition from the list below or another piece of similar level.
- Bartok – Evening in the Country
- Dett – Honey (Humoresque) from In the Bottoms
- Price – Silk Hat and Walking Cane from Dances in the Canebrakes
- Prokofiev – Tarantella from Music for Children, Op.65
- Shostakovich – Fantastic Dance No. 1 from Three Fantastic Dances
Piano duet – This year’s specific duet music will be posted to Merit’s website on Friday, March 28th. Two duet options per age group will be posted; you are welcome to choose to learn whichever composition you prefer however you must prepare both the primo and secondo parts.
Sight-reading – You will be provided sight-reading repertoire during the live audition.
Category B
Scales – Please be prepared to play:
- All major and harmonic minor scales up to 6 sharps or 6 flats
- 4 octaves in parallel motion
- Tempo: quarter note = 90 (the scale should be played in sixteenth notes/4 notes per metronome click)
Prepare two solo pieces from different historical periods listed below. At least one of the pieces must be from the Baroque or Classical period. Note: Students enrolled in the 2023/2024 Conservatory Piano Department only need to prepare one solo piece.
Baroque – a three-part invention or prelude and fugue from the Well-Tempered Clavier by J. S. Bach (except Prelude and Fugue in C major, WTC vol. 1, BWV 846)
Classical – a fast movement from a sonata by Haydn, Mozart, Beethoven similar to the level of the sonatas listed below (except Haydn Hob: XVI 35, Mozart K.545 or, Beethoven Op.49 No. 2)
- Beethoven- Sonata No. 1in F minor, Op. 2 No. 1, mov I or IV
- Beethoven- Sonata No. 10 in G major, Op. 14 No. 2, mov I or III
Romantic – any composition by Chopin, Liszt, Schumann, Brahms, Rachmaninov or other Romantic composer similar to the level of:
- Chopin- Nocturne in E minor, Op. 72 No. 1
20th/21st century – a composition from the list below or another piece of similar level.
- Barber – Excursions, Op. 20 No.1
- Bonds – Troubled Water
- Burleigh – From the Southland
- Coleridge-Taylor – any movement from Valse Suite for Piano “Three-Fours”, Op. 71
- Copland – Cat and Mouse Price- In Sentimental Mood
- Prokofiev – Montaque and Capulets, Op. 75 No. 6
- Shostakovich – any Prelude and Fugue
- Villa-Lobos – Bachinanas Brasileiras, No. 4, Preludio
- Walker- Prelude and Caprice
Piano duet – This year’s specific duet music will be posted to Merit’s website on Friday, March 28th. Two duet options per age group will be posted; you are welcome to choose to learn whichever composition you prefer however you must prepare both the primo and secondo parts.
Sightreading – You will be provided sightreading repertoire during the live audition.
Voice
Voice students in the Conservatory are accepted into a comprehensive, daylong program consisting of a large ensemble, theory, musicianship/vocal technique classes, weekly recital hour, and electives. Voice students are generally in 6th – 12th grades.
Students who successfully audition into the Voice program will be placed in a Merit choral ensemble.
Voice
NEW VOICE STUDENTS
Please prepare the following:
Repertoire: Auditioning voice students must present two pieces that follow the guidelines below: *
*Note: All selections must be memorized, and an accompanist will be provided for the audition. Please bring three copies of your music for the audition panel.
- Art song– English or foreign language
Examples:
Let Us Dance, Let Us Sing, Purcell
The Mermaid’s Song, Haydn
The Crucifixion, Barber
Vittoria, mio core, Carissimi
Caro mio ben, Giordani
Das Veilchen, Mozart
Rastlose Liebe, Schubert - American Songbook/Jazz
Examples:
Fly Me to the Moon, Bart Howard
Misty, Erroll Garner
All of Me, Marks & Simon
Summertime, George Gershwin
What a Difference a Day Makes, Adams & Grever
Our Love is Here to Stay, Ira and George Gershwin
Blue Skies, Irving Berlin - Blues
Examples:
Route 66, Bobby Troup
Ain’t Nobody’s Business if I Do, Grainger and Robbins
Stormy Monday, T-bone Walker
Further On Up the Road, Jo Medwick
Blue Monk, Thelonius Monk - Musical Theatre
- Pop/Contemporary
- Selected part from a choral piece
Scales: Major scale in any key. (Scales can be sung on solfege or on a neutral syllable.)
Sight-reading: You will be provided sight-reading repertoire during the live audition. See linked example for indication of appropriate level.
Beginning Voice Sight Reading Examples
RETURNING VOICE STUDENTS All Voice students must re-audition each year to maintain their place in the program. Please prepare the following:
Repertoire: One solo piece in any style*
*Note: All selections must be memorized, and an accompanist will be provided for the audition. Please bring three copies of your music for the audition panel.
Sight-reading: You will be provided sight-reading repertoire during the live audition. See the linked example for indication of appropriate level.
Guitar
Guitarists in the Junior or Senior Guitar Division participate in a comprehensive, daylong program consisting of theory, musicianship/instrumental group classes, weekly recital hour, guitar ensemble, and electives. Guitar students are generally in 7th – 12th grades.
Guitar
JUNIOR DIVISION
Repertoire: Two contrasting solo pieces
Students may reference the linked examples for indication of appropriate level: Junior Level Example
Scales: Two scales, two octaves each
See linked examples for indication of appropriate level. Scales must be memorized: Junior Scales Example
Sight-reading: You will be provided sight-reading repertoire during the live audition. See linked example for indication of appropriate level: Junior Sight-Reading Example
SENIOR DIVISION
Repertoire: Two contrasting solo pieces
Students may reference the linked examples for indication of appropriate level: Senior Level Example
Scales: Two scales, two octaves each
See linked examples for indication of appropriate level. Scales must be memorized: Senior Scales Example
Sight-reading: You will be provided sight-reading repertoire during the live audition. See linked example for indication of appropriate level: Senior Sight-Reading Example
